Continued Shooting Until the Click of the Empty Clip Sounded

Adobe Premiere Pro User Guide
Beta releases
1. Beta Program Overview
2. Premiere Pro Beta Home
Getting started
1. Get started with Adobe Premiere Pro
2. What's new in Premiere Pro
3. Release Notes | Premiere Pro
4. Keyboard shortcuts in Premiere Pro
5. Accessibility in Premiere Pro
6. Long Form and Episodic Workflow Guide
Hardware and operating system requirements
1. Hardware recommendations
2. System requirements
3. GPU and GPU Driver requirements
4. GPU Accelerated Rendering & Hardware Encoding/Decoding
Creating projects
1. Start a new project
2. Open projects
3. Move and delete projects
4. Work with multiple open projects
5. Work with Project Shortcuts
6. Backward compatibility of Premiere Pro projects
7. Open and edit Premiere Rush projects in Premiere Pro
8. Best Practices: Create your own project templates
Workspaces and workflows
1. Workspaces
2. FAQ | Import and export in Premiere Pro
3. Working with Panels
4. Windows touch and gesture controls
5. Use Premiere Pro in a dual-monitor setup
Capturing and importing
1. Capturing
  1. Capturing and digitizing footage
  2. Capturing HD, DV, or HDV video
  3. Batch capturing and recapturing
  4. Setting up your system for HD, DV, or HDV capture
2. Importing
  1. Transfer files
  2. Importing still images
  3. Importing digital audio
3. Importing from Avid or Final Cut
  1. Importing AAF project files from Avid Media Composer
  2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
4. Supported file formats
5. Digitizing analog video
6. Working with timecode
Editing
1. Edit video
2. Sequences
  1. Create and change sequences
  2. Change sequence settings
  3. Add clips to sequences
  4. Rearrange clips in a sequence
  5. Find, select, and group clips in a sequence
  6. Edit from sequences loaded into the Source Monitor
  7. Simplify sequences
  8. Rendering and previewing sequences
  9. Working with markers
  10. Source patching and track targeting
  11. Scene edit detection
3. Video
  1. Create and play clips
  2. Trimming clips
  3. Synchronizing audio and video with Merge Clips
  4. Render and replace media
  5. Undo, history, and events
  6. Freeze and hold frames
  7. Working with aspect ratios
4. Audio
  1. Overview of audio in Premiere Pro
  2. Audio Track Mixer
  3. Adjusting volume levels
  4. Edit, repair, and improve audio using Essential Sound panel
  5. Automatically duck audio
  6. Remix audio
  7. Monitor clip volume and pan using Audio Clip Mixer
  8. Audio balancing and panning
  9. Advanced Audio - Submixes, downmixing, and routing
  10. Audio effects and transitions
  11. Working with audio transitions
  12. Apply effects to audio
  13. Measure audio using the Loudness Radar effect
  14. Recording audio mixes
  15. Editing audio in the timeline
  16. Audio channel mapping in Premiere Pro
  17. Use Adobe Stock audio in Premiere Pro
5. Advanced editing
  1. Multi-camera editing workflow
  2. Set up and use Head Mounted Display for immersive video in Premiere Pro
  3. Editing VR
6. Best Practices
  1. Best Practices: Mix audio faster
  2. Best Practices: Editing efficiently
  3. Editing workflows for feature films
Video Effects and Transitions
1. Overview of video effects and transitions
2. Effects
  1. Types of effects in Premiere Pro
  2. Apply and remove effects
  3. Effect presets
  4. Automatically reframe video for different social media channels
  5. Color correction effects
  6. Change duration and speed of clips
  7. Adjustment Layers
  8. Stabilize footage
3. Transitions
  1. Applying transitions in Premiere Pro
  2. Modifying and customizing transitions
  3. Morph Cut
Titles, Graphics, and Captions
1. Overview of the Essential Graphics panel
2. Titles
  1. Create a title
3. Graphics
  1. Create a shape
  2. Align and distribute objects
  3. Change the appearance of text and shapes
  4. Apply gradients
  5. Add Responsive Design features to your graphics
  6. Install and use Motion Graphics templates
  7. Replace images or videos in Motion Graphics templates
  8. Use data-driven Motion Graphics templates
4. Captions
  1. Speech to Text
  2. Working with captions
  3. Check spelling and Find and Replace
  4. Export text
  5. Speech to Text in Premiere Pro | FAQ
5. Best Practices: Faster graphics workflows
6. Retiring the Legacy Titler in Premiere Pro | FAQ
7. Upgrade Legacy titles to Source Graphics
Animation and Keyframing
1. Adding, navigating, and setting keyframes
2. Animating effects
3. Use Motion effect to edit and animate clips
4. Optimize keyframe automation
5. Moving and copying keyframes
6. Viewing and adjusting effects and keyframes
Compositing
1. Compositing, alpha channels, and adjusting clip opacity
2. Masking and tracking
3. Blending modes
Color Correction and Grading
1. Overview: Color workflows in Premiere Pro
2. Auto Color
3. Get creative with color using Lumetri looks
4. Adjust color using RGB and Hue Saturation Curves
5. Correct and match colors between shots
6. Using HSL Secondary controls in the Lumetri Color panel
7. Create vignettes
8. Looks and LUTs
9. Lumetri scopes
10. Display Color Management
11. HDR for broadcasters
12. Enable DirectX HDR support
Exporting media
1. Export video
2. Export Preset Manager
3. Workflow and overview for exporting
4. Quick export
5. Exporting for the Web and mobile devices
6. Export a still image
7. Exporting projects for other applications
8. Exporting OMF files for Pro Tools
9. Export to Panasonic P2 format
10. Export settings
  1. Export settings reference
  2. Basic Video Settings
  3. Encoding Settings
11. Best Practices: Export faster
Collaboration: Frame.io, Productions, and Team Projects
1. Collaboration in Premiere Pro
2. Frame.io
  1. Install and activate Frame.io
  2. Use Frame.io with Premiere Pro and After Effects
  3. Frequently asked questions
3. Productions
  1. Using Productions
  2. How clips work across projects in a Production
  3. Best Practices: Working with Productions
4. Team Projects
  1. Get started with Team Projects
  2. Create a Team Project
  3. Add and manage media in Team Projects
  4. Collaborate with Team Projects
  5. Share and manage changes with Team Project collaborators
  6. Archive, restore, or delete Team Projects
Working with other Adobe applications
1. After Effects and Photoshop
2. Dynamic Link
3. Audition
4. Prelude
Organizing and Managing Assets
1. Working in the Project panel
2. Organize assets in the Project panel
3. Playing assets
4. Search assets
5. Creative Cloud Libraries
6. Sync Settings in Premiere Pro
7. Consolidate, transcode, and archive projects
8. Managing metadata
9. Best Practices
  1. Best Practices: Learning from broadcast production
  2. Best Practices: Working with native formats
Improving Performance and Troubleshooting
1. Set preferences
2. Reset preferences
3. Working with Proxies
  1. Proxy overview
  2. Ingest and Proxy Workflow
4. Check if your system is compatible with Premiere Pro
5. Premiere Pro for Apple silicon
6. Eliminate flicker
7. Interlacing and field order
8. Smart rendering
9. Control surface support
10. Best Practices: Working with native formats
11. Knowledge Base
  1. Known issues
  2. Fixed issues
  3. Fix Premiere Pro crash issues
  4. Green and pink video in Premiere Pro or Premiere Rush
  5. How do I manage the Media Cache in Premiere Pro?
  6. Fix errors when rendering or exporting
  7. Troubleshoot issues related to playback and performance in Premiere Pro
Monitoring Assets and Offline Media
1. Monitoring assets
  1. Using the Source Monitor and Program Monitor
  2. Using the Reference Monitor
2. Offline media
  1. Working with offline clips
  2. Creating clips for offline editing
  3. Relinking offline medInstia

Learn about applying timecode to video in Premiere Pro, choosing the display format, and different ways of viewing the timecode.

Many camcorders and high-end video decks record timecode, which marks specific frames with unique addresses. Timecode is important whenever you want to capture the same frames that were identified or captured previously, as in the following tasks:

You want to log clips before you capture them.
You plan to capture clips using batch (automated) capture.
You want to recapture clips because the original files became corrupted or were deleted.
You plan to export sequences to another system by using EDL.
You're using a system in which you edit quickly with low-resolution captures, and later recapture the clips at full resolution and quality for the final version.
You plan to synchronize captured video with audio recorded separately.

Unlike the numbers on time counters found in home VCRs, timecode is recorded onto videotape as part of the video signal. If footage lacks timecode, you can add it by copying it with a camera or deck that writes timecode. You can then log or capture the video from that device.

For best results, timecode should run continuously from the beginning to the end of the tape; it shouldn't restart from zero anywhere in the middle. In editing, if you log a capture in a point such as 00:00:01:09 but that number occurs on the tape two or three times because of timecode restarts, Premiere Pro can't be certain which 00:00:01:09 is the place to start its capture. It can easily capture the wrong clips from tapes with discontinuous timecode.

To ensure unbroken timecode, either shoot it continuously or stripe your tape with it before shooting.

To ensure that you always shoot continuous timecode, record at least 5 seconds of extra video past the end of the action in any shot. If you review a clip in the camera, be sure to rewind the tape back into that 5-second margin before recording again. Your camcorder reads the timecode from the frame on which you stop and begins recording timecode with the next frame number when you start your next shot. Be careful; if you leave a gap between the last frame of the previous shot and the first frame of the next, the camcorder begins writing timecode at 00:00:00:00 again.

Choose timecode display format

By default, Premiere Pro displays the timecode for any clip that was originally written to the source medium. If a frame has timecode 00:00:10:00 on tape, the timecode displayed for it after it has been captured is 00:00:10:00. Source timecode often makes logging clips easy. Source timecode is shown for a clip regardless of the timebase of the sequences in which it is used. When the timebase of the clip differs from the timebase of the sequence, source timecode can make logging footage easier. For example, a clip shot in 24p has a timebase of 30 fps and 30 fps timecode. Premiere Pro shows the original 30 fps timecode for that clip, even though it is used in a sequence with a timebase of 23.976. However, you can change this default to instead show the timecode for every clip starting at 00:00:00:00.

Also, you can determine how Premiere Pro displays the frame count when a Frames or Feet And Frames display is chosen for a panel. You can make the frame count for every clip start at 0 or at 1, or you can have it converted from the source timecode. If a frame in a 30-fps clip has a source timecode of 00:00:10:00 the Timecode Conversion option gives this frame number 300. Premiere Pro converts 10 seconds at the 30-fps frame rate to 300 frames.

Select Edit > Preferences > Media (Windows) or Premiere Pro > Preferences > Media (Mac OS).

In the Timecode menu, choose one of the following:

Use Media Source

Shows the timecode recorded to the source.

Start At 00:00:00:00

Starts timecode shown for every clip at 00:00:00:00.

In the Frame Count menu, choose one of the following:

Start At 0

Numbers every frame sequentially, with the first frame numbered 0.

Start At 1

Numbers every frame sequentially, with the first frame numbered 1.

Timecode Conversion

Generates frame number equivalents of the source timecode numbers.

Change how timecode is displayed

You can change the timecode display format in any panel where timecode is shown in hot text.

(Optional) To display timecode in audio units (Audio Samples or Milliseconds), click the panel menu button in the panel desired, and select Show Audio Time Units.

Ctrl-click (Windows) or Command-click (Mac OS) a hot text timecode display to toggle through any of these timecode formats that are available. The last two are available only if you select Show Audio Time Units in the panel menu.

Drop-frame timecode
Non-drop-frame timecode
Feet+Frames 16mm
Feet+Frames 35mm
Frames
Audio Samples
Milliseconds

The timecode display format for the Program Monitor (including the instance in the Trim Monitor) and Timeline panels always match one another. Changing the display format in one of these panels changes it in the other.

Stripe tape or replace timecode

You can ensure continuous timecode by recording timecode onto the tape before you use it. This process is called striping the tape. Striping is not necessary if you follow recommended shooting practices, but it can protect you from accidentally breaking timecode by miscuing a tape in your camera.

Stripe a tape with timecode

Place an unused tape in the camera. It should have no timecode.

If you're using a camera for striping, attach the lens cap and disable audio recording.

Ensure that all camera settings (particularly the audio sample rate) are the same as the settings you use when you shoot. Use all these same settings whenever shooting on that tape.

Begin recording. Let the camera or deck run until the entire tape has been recorded.

Before you record video on a striped tape, play about 30 seconds of it from the beginning. Verify that the camcorder is reading the timecode you striped before you start shooting. The 30-second empty lead on the tape also helps in batch capturing.

Check your camera's settings whenever changing tapes, especially when reinserting a tape you had begun shooting previously. Though you may want to use different settings for different tapes, its best to use the same settings from beginning to end of each tape. These should match the settings used when first striping that tape.

Replace DV timecode

If your source footage is in DV format and its timecode isn't continuous, you can replace its timecode by making a DV copy, or dub, of the tape. The DV device making the copy records new timecode that is continuous, so you can then log and capture video, with the new timecode, from the copy.

This technique does not work when dubbing to the DVCAM format or using a Panasonic AG-DV2500 as the record deck.

Load the DV tape you shot into a DV camcorder or deck for playback, and fully rewind it.

Load a new tape into a second camcorder or deck, which you use to record a copy.

If the recording device includes an option to record video with the timecode from your original tape, be sure that this option is disabled. See the operating instructions for the device for information on this option.

If the recording device is digital, connect it to the DV source device using a digital cable, such as IEEE 1394 or SDI. This makes a full-quality copy.

Connect the recording device to a television monitor.

Set both devices to VTR mode.

Make sure that the recording device is set to record from the digital port.

Begin recording the new tape and then start your original tape playing. Let the camcorders or decks run until the entire original tape has been copied.

Scene Detect recognizes the starting and stopping points for each shot by looking for jumps in the timestamps. Because copying a tape this way creates a single clip with a continuous timestamp, you can't use Scene Detect when you capture the copy in Premiere Pro.

Capturing timecode

The timecode of source video is captured when you use device control. Timecode capture with controllable analog devices depends on the precision of your tape deck. If your tape deck cannot read the timecode accurately, you may have to calibrate your system or manually assign the timecode to your movie by matching frames.

Timecode is visible in the tape counter only on equipment that can recognize timecode, unless the timecode has been burned in or recorded over the picture in a copy of the tape. Most analog home VCRs cannot read or write timecode.

Set timecode manually for a clip

You can change the timecode from that recorded by Premiere Pro. For example, you captured footage from a DV copy of a Hi8 tape originally recorded with RCTC (Rewritable Consumer Time Code). The DV copy, and the video files on your computer copied from it, carry the DV timecode, not the original RCTC. For convenience in referencing shot logs made for the original Hi8 tape, you want to reset the timecode to the original RCTC numbers.

Select the clip in the Project panel.

Choose Clip > > Modify > Timecode, specify options as needed, and click OK.

Enter timecode

As you capture and edit video, you enter timecode values many times. For example, you enter timecode values to set In and Out points for clips and to navigate a Timeline panel. Premiere Pro provides many ways to enter timecode.

In Premiere Pro, the duration between the In and Out points includes the frames indicated by the timecode. For example, if you enter the same timecode for the In and Out points of a clip, the duration of the clip is one frame. When entering timecode, you can substitute periods for colons or type numbers without punctuation. Premiere Pro interprets the numbers you type as hours, minutes, seconds, and frames.

To set a specific timecode, select the timecode, type a new timecode, and then press Enter/Return.
To adjust the current timecode by dragging, drag the timecode horizontally. For example, to set an earlier timecode, drag to the left.
To adjust the current timecode by using a relative value, type the plus sign (+) or minus sign (–) and the number of frames to add or subtract. For example, to subtract five frames from the current timecode, select the entire timecode, type –5, and then press Enter/Return.
To add time, type the plus sign (+)

Use shorthand substitutes while entering timecode

When entering the timecode, you can use shorthand substitutes affixed with a period (..).For example, the timecode value of4.. jumps to the position 00:04:00:00. Premiere Pro interprets the numbers you type as hours, minutes, seconds, and frames.

Examples of shorthand substitutes:

1.moves the CTI to position 00:00:01:00
2.. moves the CTI to position 00:02:00:00
.1 moves the CTI to position 00:00:00:01
.24 moves the CTI to position 00:00:01:00 for a 23.976 fps sequence
.1234moves the CTI to position 00:00:51:10 for a 23.976 fps sequence

View timecode as a burn-in

You can display clip timecode within the video preview of the clip by applying the Timecode effect to that clip. You can display timecode within the video preview of any part of a sequence by applying the Timecode effect to a transparent video clip. Then trim the transparent video clip for the period when you want the timecode visible. Onscreen timecode is commonly referred to as burn-in timecode. It is used in rough edits and proofs to give frame-accurate reference points to editors and their collaborators.

View clip timecode as a burn-in

In the Effects panel, click the triangle next to the Video Effects bin to open it. Then, click the triangle next to the Video bin to open it.

Drag the Timecode effect and drop it onto a clip in a sequence.

Click the Effect Controls panel to make the panel active.

Click the triangle next to Timecode to expose the options for this effect.

Adjust the options as needed.

View sequence timecode as a burn-in

At the bottom of the Project panel, click the New Item icon . Select Transparent Video.

You can use an adjustment layer instead of transparent video to carry the timecode effect.

Drag the transparent video clip to an empty track in the sequence higher than all other video tracks.

In the Effects panel, click the triangle next to the Video Effects bin to open it. Then, click the triangle next to the Video bin to open it.

Drag the Timecode effect and drop it onto the transparent video clip.

Click the Effect Controls panel to make the panel active.

Click the triangle next to Timecode to expose the options for this effect.

Adjust the options as needed.

View source timecode in the Program Monitor

You can display the source timecode in the Program Monitor preview for clips in a sequence as you edit:

If you trim a clip, the clip's source timecode is displayed.
If you perform a slide edit, the new source media's In and Out points for the adjacent clips are displayed.
If you perform a slip edit, the clip's new source media's In and Out points are displayed.

Choose Timecode Overlay During Edit from the Program Monitor panel menu. A check mark indicates that the command is selected.

View timecode in the Timecode panel

You can view timecode in the Timecode panel. To view the Timecode panel, choose Window > Timecode.

You can set the following display options in the Timecode panel.

Sequence display options:

Master - This is the main master timecode.
Absolute - Absolute timecode always starts at zero at the beginning (ignoring Sequence Start Time) and increments one frame at a time.
Duration - The total duration of your timeline.
In/Out - Indicates the In/Out range.
Remaining - Indicates the remaining time from the CTI (Current Time Indicator) to the end of your sequence.
Top Clip Name - Indicates the top clip name under the CTI.

Source Tracks display options:

Source Tracks contain the specific number of video and audio tracks on a timeline. You can select any track to visualize the Source Timecodes for the selected track.

Format display options:

You can use the Format options to change the default timebase format or to visualize the timecode in Frames or Feet.

If the timecode panel is set to Full Size view, when a different format is selected, Premiere Pro displays a tag, and changes the label color from white to orange.

In Compact view, Premiere Pro only changes the label's color, but there is no tag.

Other display options:

Add Line and Remove Line - Adds or removes one timecode line
Compact and Full Size - Switches the UI of the Timecode panel from compact to full-sized
Save Presets - Save different Timecode Layouts and assign shortcut to presets.
Manage Presets - Assign different shortcuts to presets or delete presets.

To increase the size of the Timecode panel, drag the lower right corner of the window outward.

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Source: https://helpx.adobe.com/premiere-pro/using/timecode.html